To Be Afraid of the Invisible, 2017
Powder graphite on Arches paper, wall mounted metal
newspaper display rack
installation of variable dimensions
Single drawing size: 244 x 38cm
Dans le cadre de l'Atelier résidence du Conseil des Arts et des Lettres du Québec à Bâle



A month after my arrival at the Atelier Mondial in Basel, Switzerland, a chemical attack took place on the town of Khan Shaykhun, Syria. The bomb and its content injured hundreds and killed 74 people.

Far away from home, but from a place of safety in my Basel studio, I started to try to make sense of what happened based on the information that I could access in the news. To Be Afraid of the Invisible is an attempt to reflect on this insidious event and on the repercussion that it had.

This experience somehow highlighted my fear of the invisible threat under which millions of people live every day. Using graphite powder to deconstruct the few images of the explosion accessible online is both a reflection on my own armful drawing materials and the fear of their insidious consequences on my health.

No amount of drawings or images will ever bring justice or consolation to this population, but each gesture has the power to revive memories while allowing us to never forget.
Andréanne Godin est basée à Montréal. Sa pratique explore les champs élargis du dessin par une approche anthropologique comparative où elle crée des parallèles entre paysages et expériences humaines. Elle a récemment pris part à plusieurs programmes de résidences d’artistes dont la Fondation Guido Molinari (2026), les Studios du Québec en Finlande (2019) et en Suisse (2017). En 2016, elle était la première artiste québécoise à la Josef & Anni Albers Foundation (États-Unis). Son travail a été présenté au Canada, ainsi qu’à l’international au Kunsthaus Baselland (Suisse), à l’Arsenal Saint-Jean des Musées de Soissons (France), aux États-Unis, en Belgique et à Cuba. Les conseils des arts soutiennent ses recherches depuis 2012.


Andréanne Godin is based in Montreal. Her practice explores expanded fields of drawing through a comparative anthropological approach, creating parallels between landscapes and human experiences. She has recently taken part in several artist residency programs, including the Guido Molinari Foundation (2026), the Studios du Québec in Finland (2019) and in Switzerland (2017). In 2016, she was the first Quebec artist to be hosted by the Josef & Anni Albers Foundation (United States). Her work has been exhibited in Canada, as well as internationally at the Kunsthaus Baselland (Switzerland), the Arsenal Saint-Jean at the Musées de Soissons (France), in United States, Belgium and in Cuba. The arts councils have supported her research since 2012.





Galerie Nicolas Robert

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